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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  
Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Little Miss Sunshine is a 2006 American tragicomedy film directed by Jonathan Dayton and Valerie Faris (in their directorial debut) from a screenplay written by Michael Arndt. The film stars an ensemble cast consisting of Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin, and Alan Arkin, all of whom play members of a dysfunctional family taking the youngest (Breslin) to compete in a child beauty pageant. Breslin's breakout performance in the film earned her an Academy Award nomination. The road film tackles themes of family, depression, self-acceptance, and finding meaning in absurd conditions. It was produced by Big Beach Films on a budget of US$8 million. Filming began on June 6, 2005, and took place over 30 days in Arizona and Southern California. The film premiered at the Sundance Film Festival on January 20, 2006, and its distribution rights were bought by Fox Searchlight Pictures for one of the biggest deals made in the history of the festival. The film had a limited release in the United States on July 26, 2006, and expanded to a wider release starting on August 18. (Full article...)
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    Little Miss Sunshine is a 2006 American tragicomedy film directed by Jonathan Dayton and Valerie Faris (in their directorial debut) from a screenplay written by Michael Arndt. The film stars an ensemble cast consisting of Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin, and Alan Arkin, all of whom play members of a dysfunctional family taking the youngest (Breslin) to compete in a child beauty pageant. Breslin's breakout performance in the film earned her an Academy Award nomination. The road film tackles themes of family, depression, self-acceptance, and finding meaning in absurd conditions. It was produced by Big Beach Films on a budget of US$8 million. Filming began on June 6, 2005, and took place over 30 days in Arizona and Southern California.

    The film premiered at the Sundance Film Festival on January 20, 2006, and its distribution rights were bought by Fox Searchlight Pictures for one of the biggest deals made in the history of the festival. The film had a limited release in the United States on July 26, 2006, and expanded to a wider release starting on August 18. (Full article...)
  • Image 2 Smith performing in 2003 Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter. Raised primarily in Texas, he lived much of his life in Portland, Oregon, where he gained popularity in the 1990s. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. His work was distinguished by his "whispery, spiderweb-thin" vocal style, his "artful chord changes," and his themes of "addiction, depression, and alienation.". The NME described him as a "widely adored singer-songwriter," who "touched countless lives with his compelling musicianship and lyricism." After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded his final two albums. Smith's song "Miss Misery", recorded for the film Good Will Hunting (1997), was nominated for the 1998 Academy Award for Best Original Song. (Full article...)
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    Smith performing in 2003

    Steven Paul Smith (August 6, 1969 – October 21, 2003), known as Elliott Smith, was an American musician and singer-songwriter. Raised primarily in Texas, he lived much of his life in Portland, Oregon, where he gained popularity in the 1990s. Smith's primary instrument was the guitar, though he also played piano, clarinet, bass guitar, drums, and harmonica. His work was distinguished by his "whispery, spiderweb-thin" vocal style, his "artful chord changes," and his themes of "addiction, depression, and alienation.". The NME described him as a "widely adored singer-songwriter," who "touched countless lives with his compelling musicianship and lyricism."

    After playing in the rock band Heatmiser for several years, Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded his final two albums. Smith's song "Miss Misery", recorded for the film Good Will Hunting (1997), was nominated for the 1998 Academy Award for Best Original Song. (Full article...)
  • Image 3 Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. It was the first Slayer album to be released by Def Jam and the first to be produced by Rick Rubin, whose input helped the band's sound evolve. Reign in Blood received widespread acclaim upon release and was responsible for bringing Slayer to the attention of a mainstream metal audience. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood is credited with defining the sound of the emerging American thrash metal scene in the mid-1980s. It was the first Slayer album to enter the US Billboard 200, peaking at number 94, and was certified Gold by the Recording Industry Association of America (RIAA) in 1992. (Full article...)
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    Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. It was the first Slayer album to be released by Def Jam and the first to be produced by Rick Rubin, whose input helped the band's sound evolve.

    Reign in Blood received widespread acclaim upon release and was responsible for bringing Slayer to the attention of a mainstream metal audience. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood is credited with defining the sound of the emerging American thrash metal scene in the mid-1980s. It was the first Slayer album to enter the US Billboard 200, peaking at number 94, and was certified Gold by the Recording Industry Association of America (RIAA) in 1992. (Full article...)
  • Image 4 "What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in June 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it. After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new sub-genre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded "I Got a Woman" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and appeared in the 2003 and 2021 versions of Rolling Stone's "The 500 Greatest Songs of All Time" list: at number 10 in 2003 and at number 80 in 2021. (Full article...)
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    "What'd I Say" (or "What I Say") is an American rhythm and blues song by Ray Charles, released in June 1959. As a single divided into two parts, it was one of the first soul songs. The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.

    After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new sub-genre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded "I Got a Woman" in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and appeared in the 2003 and 2021 versions of Rolling Stone's "The 500 Greatest Songs of All Time" list: at number 10 in 2003 and at number 80 in 2021. (Full article...)
  • Image 5 Holy Wood (In the Shadow of the Valley of Death) is the fourth studio album by American rock band Marilyn Manson. It was released on November 11, 2000, by Nothing and Interscope Records. A rock opera concept album, it is the final installment of a triptych that also included Antichrist Superstar (1996), and marked a return to the industrial metal style of the band's earlier work, after the glam rock-influenced production of Mechanical Animals (1998). After its release, the band's eponymous vocalist said that the overarching story within the trilogy is presented in reverse chronological order: Holy Wood, therefore, begins the narrative. In the aftermath of the Columbine High School massacre on April 20, 1999, national news media reported that the perpetrators were wearing the band's T-shirts during the rampage, and had been influenced by their music, both of which were untrue. As their first release after the massacre, the record was Manson's rebuttal to the accusations leveled against him and the group, and was described by the vocalist as a "declaration of war". It was written in the singer's former home in the Hollywood Hills and recorded in several undisclosed locations, including Death Valley and Laurel Canyon. His ambitions for Holy Wood initially included an eponymous film exploring its backstory—a project which has since been abandoned and was modified into the as-yet-unreleased Holy Wood novel. (Full article...)
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    Holy Wood (In the Shadow of the Valley of Death) is the fourth studio album by American rock band Marilyn Manson. It was released on November 11, 2000, by Nothing and Interscope Records. A rock opera concept album, it is the final installment of a triptych that also included Antichrist Superstar (1996), and marked a return to the industrial metal style of the band's earlier work, after the glam rock-influenced production of Mechanical Animals (1998). After its release, the band's eponymous vocalist said that the overarching story within the trilogy is presented in reverse chronological order: Holy Wood, therefore, begins the narrative.

    In the aftermath of the Columbine High School massacre on April 20, 1999, national news media reported that the perpetrators were wearing the band's T-shirts during the rampage, and had been influenced by their music, both of which were untrue. As their first release after the massacre, the record was Manson's rebuttal to the accusations leveled against him and the group, and was described by the vocalist as a "declaration of war". It was written in the singer's former home in the Hollywood Hills and recorded in several undisclosed locations, including Death Valley and Laurel Canyon. His ambitions for Holy Wood initially included an eponymous film exploring its backstory—a project which has since been abandoned and was modified into the as-yet-unreleased Holy Wood novel. (Full article...)
  • Image 6 "Bam Thwok" is a download-only single by the American alternative rock band the Pixies. Written and sung by bassist Kim Deal, the song was released exclusively through the iTunes Store on June 15, 2004. Upon its release, "Bam Thwok" was a commercial success, debuting at number one on the first release of the UK Download Chart. The song was the band's first recording since Trompe le Monde (1991). Originally composed for the film Shrek 2, "Bam Thwok" was not selected for the final soundtrack. The song's lyrics display a surrealistic and nonsensical nature typical of the band; Deal's inspiration was a discarded child's art book she found on a New York City street. The song's central theme is "showing goodwill to everyone." (Full article...)
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    "Bam Thwok" is a download-only single by the American alternative rock band the Pixies. Written and sung by bassist Kim Deal, the song was released exclusively through the iTunes Store on June 15, 2004. Upon its release, "Bam Thwok" was a commercial success, debuting at number one on the first release of the UK Download Chart. The song was the band's first recording since Trompe le Monde (1991).

    Originally composed for the film Shrek 2, "Bam Thwok" was not selected for the final soundtrack. The song's lyrics display a surrealistic and nonsensical nature typical of the band; Deal's inspiration was a discarded child's art book she found on a New York City street. The song's central theme is "showing goodwill to everyone." (Full article...)
  • Image 7 "What You Waiting For?" is a song by American singer Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and Linda Perry, the song is the album's opening track and was released as Stefani's debut solo single. Lyrically, "What You Waiting For?" details Stefani's lack of inspiration and fear of producing the album, as well as her reaction to pressures exerted by her record label. It is primarily an electropop song and introduces Stefani's four backup dancers, the Harajuku Girls, who had a major input into the album's production. "What You Waiting For?" was released as the album's lead single; according to Stefani, as an "explanation for doing the record". The song was well received by critics and was frequently cited as a highlight of the album. The single was commercially successful, topping the chart in Australia and reaching the top 10 in several countries. It was certified gold in the United States, and was nominated for Best Female Pop Vocal Performance at the 47th Annual Grammy Awards. The song has been remixed a number of times, and was covered by the indie rock band Franz Ferdinand and singer Marina Diamandis. (Full article...)
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    "What You Waiting For?" is a song by American singer Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Written by Stefani and Linda Perry, the song is the album's opening track and was released as Stefani's debut solo single. Lyrically, "What You Waiting For?" details Stefani's lack of inspiration and fear of producing the album, as well as her reaction to pressures exerted by her record label. It is primarily an electropop song and introduces Stefani's four backup dancers, the Harajuku Girls, who had a major input into the album's production.

    "What You Waiting For?" was released as the album's lead single; according to Stefani, as an "explanation for doing the record". The song was well received by critics and was frequently cited as a highlight of the album. The single was commercially successful, topping the chart in Australia and reaching the top 10 in several countries. It was certified gold in the United States, and was nominated for Best Female Pop Vocal Performance at the 47th Annual Grammy Awards. The song has been remixed a number of times, and was covered by the indie rock band Franz Ferdinand and singer Marina Diamandis. (Full article...)
  • Image 8 The Freewheelin' Bob Dylan is the second studio album by the American singer-songwriter Bob Dylan. It was released on May 27, 1963, through Columbia Records. The record marks the beginning of Dylan's writing contemporary lyrics to traditional melodies. His debut album Bob Dylan contains only two original songs, whereas eleven of the thirteen songs on Freewheelin' are Dylan's compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right". Dylan's lyrics embraced news stories drawn from headlines about the ongoing civil rights movement and he articulated anxieties about the fear of nuclear warfare. Balancing this political material were love songs, sometimes bitter and accusatory, and material that features surreal humor. Freewheelin' showcased Dylan's songwriting talent for the first time, propelling him to national and international fame. The success of the album and Dylan's subsequent recognition led to his being named as "Spokesman of a Generation", a label Dylan repudiated. (Full article...)
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    The Freewheelin' Bob Dylan is the second studio album by the American singer-songwriter Bob Dylan. It was released on May 27, 1963, through Columbia Records. The record marks the beginning of Dylan's writing contemporary lyrics to traditional melodies. His debut album Bob Dylan contains only two original songs, whereas eleven of the thirteen songs on Freewheelin' are Dylan's compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

    Dylan's lyrics embraced news stories drawn from headlines about the ongoing civil rights movement and he articulated anxieties about the fear of nuclear warfare. Balancing this political material were love songs, sometimes bitter and accusatory, and material that features surreal humor. Freewheelin' showcased Dylan's songwriting talent for the first time, propelling him to national and international fame. The success of the album and Dylan's subsequent recognition led to his being named as "Spokesman of a Generation", a label Dylan repudiated. (Full article...)
  • Image 9 By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop" and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics. By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-rock fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. The album has come to be regarded by many as one of the band's finest works. (Full article...)
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    By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop" and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.

    By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-rock fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. The album has come to be regarded by many as one of the band's finest works. (Full article...)
  • Image 10 Wish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 through Harvest Records in the United Kingdom and a day later in the United States through Columbia Records, as the band's first album for the label. Based on material composed while performing in Europe, Wish You Were Here was recorded over numerous sessions throughout 1975 at EMI Studios in London. The lyrics express longing, alienation, and sardonic criticism of the music industry. The bulk of the album is taken up by "Shine On You Crazy Diamond", a nine-part tribute to Syd Barrett, a Pink Floyd co-founder who had left seven years earlier due to his deteriorating mental health; Barrett coincidentally visited the studio during recording. As with their previous release, The Dark Side of the Moon (1973), Pink Floyd employed studio effects and synthesisers. Guest singers included Roy Harper, who sang lead on "Have a Cigar", and Venetta Fields, who sang backing vocals on "Shine On You Crazy Diamond". To promote the album, Pink Floyd released the double A-side single "Have a Cigar" / "Welcome to the Machine". (Full article...)
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    Wish You Were Here is the ninth studio album by the English rock band Pink Floyd, released on 12 September 1975 through Harvest Records in the United Kingdom and a day later in the United States through Columbia Records, as the band's first album for the label. Based on material composed while performing in Europe, Wish You Were Here was recorded over numerous sessions throughout 1975 at EMI Studios in London.

    The lyrics express longing, alienation, and sardonic criticism of the music industry. The bulk of the album is taken up by "Shine On You Crazy Diamond", a nine-part tribute to Syd Barrett, a Pink Floyd co-founder who had left seven years earlier due to his deteriorating mental health; Barrett coincidentally visited the studio during recording. As with their previous release, The Dark Side of the Moon (1973), Pink Floyd employed studio effects and synthesisers. Guest singers included Roy Harper, who sang lead on "Have a Cigar", and Venetta Fields, who sang backing vocals on "Shine On You Crazy Diamond". To promote the album, Pink Floyd released the double A-side single "Have a Cigar" / "Welcome to the Machine". (Full article...)
  • Image 11 Audioslave performing at Montreux Jazz Festival in 2005. From left to right: Tim Commerford, Chris Cornell, Brad Wilk and Tom Morello Audioslave was an American rock supergroup formed in Glendale, California, in 2001. The four-piece band consisted of Soundgarden's singer and guitarist Chris Cornell with Rage Against the Machine members Tom Morello (lead guitar), Tim Commerford (bass/backing vocals), and Brad Wilk (drums). Critics first described Audioslave as a combination of Soundgarden and Rage Against the Machine, but by the band's second album, Out of Exile, it was noted that they had established a separate identity. Their sound was created by blending 1970s hard rock and 1990s alternative rock, with musical influences that included 1960s funk, soul and R&B. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitars, bass, drums, and vocals, with emphasis on Cornell's wide vocal range and Morello's unconventional guitar solos. In their six years together, Audioslave released three albums, received three Grammy nominations, sold more than eight million records worldwide and became the first American rock band to perform an open-air concert in Cuba. They disbanded in February 2007 after Cornell issued a statement announcing that he was leaving the band. (Full article...)
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    Audioslave performing at Montreux Jazz Festival in 2005. From left to right: Tim Commerford, Chris Cornell, Brad Wilk and Tom Morello

    Audioslave was an American rock supergroup formed in Glendale, California, in 2001. The four-piece band consisted of Soundgarden's singer and guitarist Chris Cornell with Rage Against the Machine members Tom Morello (lead guitar), Tim Commerford (bass/backing vocals), and Brad Wilk (drums). Critics first described Audioslave as a combination of Soundgarden and Rage Against the Machine, but by the band's second album, Out of Exile, it was noted that they had established a separate identity. Their sound was created by blending 1970s hard rock and 1990s alternative rock, with musical influences that included 1960s funk, soul and R&B. As with Rage Against the Machine, the band prided themselves on the fact that all sounds on their albums were produced using only guitars, bass, drums, and vocals, with emphasis on Cornell's wide vocal range and Morello's unconventional guitar solos.

    In their six years together, Audioslave released three albums, received three Grammy nominations, sold more than eight million records worldwide and became the first American rock band to perform an open-air concert in Cuba. They disbanded in February 2007 after Cornell issued a statement announcing that he was leaving the band. (Full article...)
  • Image 12 Amarte Es un Placer (transl. Loving You Is a Pleasure) is the thirteenth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 13 September 1999. Produced by Miguel, it is a pop album with R&B and jazz influences. Miguel was more involved with the songwriting on this record than on earlier albums and was assisted by composers including Arturo Pérez, Armando Manzanero, and Juan Carlos Calderón. Despite the popularity of his contemporaries Ricky Martin and Enrique Iglesias who crossed over to the English-language market, Miguel preferred to sing and record in Spanish at the time. Four singles were released to promote the album: "Sol, Arena y Mar", "O Tú o Ninguna", "Dormir Contigo", and the title track "Amarte Es un Placer". Miguel embarked on a world tour which lasted from September 1999 into May 2000. He performed in Spain, South America, Mexico, and the United States. It became the highest-grossing tour by a Spanish-speaking recording artist. (Full article...)
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    Amarte Es un Placer (transl. Loving You Is a Pleasure) is the thirteenth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 13 September 1999. Produced by Miguel, it is a pop album with R&B and jazz influences. Miguel was more involved with the songwriting on this record than on earlier albums and was assisted by composers including Arturo Pérez, Armando Manzanero, and Juan Carlos Calderón. Despite the popularity of his contemporaries Ricky Martin and Enrique Iglesias who crossed over to the English-language market, Miguel preferred to sing and record in Spanish at the time.

    Four singles were released to promote the album: "Sol, Arena y Mar", "O Tú o Ninguna", "Dormir Contigo", and the title track "Amarte Es un Placer". Miguel embarked on a world tour which lasted from September 1999 into May 2000. He performed in Spain, South America, Mexico, and the United States. It became the highest-grossing tour by a Spanish-speaking recording artist. (Full article...)
More featured articles
  
  

Born this day

Birthdays in Music: July 11
  • Bonnie Pointer (Record production, 1951–June 8, 2020), American R&B/disco singer with the Pointer Sisters, would have turned 75 this year.
  • Roquel Billy Davis (Record production, 1932 –September 02, 2004), American songwriter and record producer, would have turned 94 this year.
  • Tab Hunter (Record production, 1931 –July 8, 2018), American actor and singer ("Young Love") , would have turned 95 this year.
  • Hermann Prey (Record production, 1929 –July 22, 1998), German baritone vocalist, would have turned 97 this year.
  • Nicolai Gedda (Record production, 1925–January 08,  2017), Swedish tenor vocalist, would have turned 101 this year.
  
These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 Ones (Spanish: Unos) is a compilation album by American singer Selena, released in the United States on October 1, 2002 by EMI Latin. It was released on November 11, 2002 in Spanish-speaking countries, while the limited edition included a bonus DVD of her music videos. Ones was released building on the popularity of the 1997 biographical film Selena. The album was aimed at Selena's new generation of fans, and its release marked the singer's twentieth year in the music industry. Ones features six number one singles namely, "Amor Prohibido", "Bidi Bidi Bom Bom", "No Me Queda Más", "Fotos y Recuerdos", and her duets with Álvaro Torres on "Buenos Amigos" and the Barrio Boyzz on "Donde Quiera Que Estés". Selena's brother, A.B. Quintanilla, remixed three of her singles ("Amor Prohibido", "Como la Flor" and "Si Una Vez") into a medley mash-up entitled "Con Tanto Amor Medley", the same tracks found on the album. Ones received a positive reception among music critics, while Jon O'Brien of AllMusic noticed that the record label ignored Selena's self-titled debut album. The recording peaked at number two on the US Billboard Top Latin Albums and number one on the Latin Pop Albums charts. Ones peaked at number 42 on the Billboard 200 chart and was certified 18× platinum by the Recording Industry Association of America (RIAA), signifying 1,080,000 album-equivalent units sold in the United States. (Full article...)
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    Ones (Spanish: Unos) is a compilation album by American singer Selena, released in the United States on October 1, 2002 by EMI Latin. It was released on November 11, 2002 in Spanish-speaking countries, while the limited edition included a bonus DVD of her music videos. Ones was released building on the popularity of the 1997 biographical film Selena. The album was aimed at Selena's new generation of fans, and its release marked the singer's twentieth year in the music industry. Ones features six number one singles namely, "Amor Prohibido", "Bidi Bidi Bom Bom", "No Me Queda Más", "Fotos y Recuerdos", and her duets with Álvaro Torres on "Buenos Amigos" and the Barrio Boyzz on "Donde Quiera Que Estés".

    Selena's brother, A.B. Quintanilla, remixed three of her singles ("Amor Prohibido", "Como la Flor" and "Si Una Vez") into a medley mash-up entitled "Con Tanto Amor Medley", the same tracks found on the album. Ones received a positive reception among music critics, while Jon O'Brien of AllMusic noticed that the record label ignored Selena's self-titled debut album. The recording peaked at number two on the US Billboard Top Latin Albums and number one on the Latin Pop Albums charts. Ones peaked at number 42 on the Billboard 200 chart and was certified 18× platinum by the Recording Industry Association of America (RIAA), signifying 1,080,000 album-equivalent units sold in the United States. (Full article...)
  • Image 2 Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe. The songs in Leave Home concentrate on various themes, with the musical tones being diverse as well. Some tunes were more pop-oriented, while others, like "Gimme Gimme Shock Treatment" and "Pinhead" were loaded with distorted guitars and had a more punk rock sound. The song "Carbona Not Glue" was taken off the album because it potentially violated the trademark of the stain-removal product Carbona. The track was replaced with "Babysitter" in the United Kingdom and "Sheena Is a Punk Rocker" in the United States (prior to its inclusion on Rocket to Russia); both "Carbona" and "Babysitter" were included on the 2001 expanded edition. (Full article...)
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    Leave Home is the second studio album by the American punk rock band Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.

    The songs in Leave Home concentrate on various themes, with the musical tones being diverse as well. Some tunes were more pop-oriented, while others, like "Gimme Gimme Shock Treatment" and "Pinhead" were loaded with distorted guitars and had a more punk rock sound. The song "Carbona Not Glue" was taken off the album because it potentially violated the trademark of the stain-removal product Carbona. The track was replaced with "Babysitter" in the United Kingdom and "Sheena Is a Punk Rocker" in the United States (prior to its inclusion on Rocket to Russia); both "Carbona" and "Babysitter" were included on the 2001 expanded edition. (Full article...)
  • Image 3 Laid Back is the debut solo studio album by American singer-songwriter Gregg Allman, released in October 1973 by Capricorn Records. Allman, best known as the vocalist/lyricist/organist of the Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongside Johnny Sandlin. Laid Back was largely recorded in March 1973 at Capricorn Sound Studios in Macon, Georgia, with additional recording and mixing taking place at the Record Plant by Manhattan Recording Engineer, Jim Reeves in New York City. The album explores Allman's varying influences, including rhythm and blues and soul music. It consists of several cover songs, originals, and a traditional hymn, and contains performances from a host of musicians, most notably Scott Boyer and Tommy Talton on guitars, Chuck Leavell on piano, Charlie Hayward on bass guitar, and Bill Stewart on drums. The album was created while Allman also worked on Brothers and Sisters, the fourth Allman Brothers album. The album title was a studio term Allman coined for relaxing a song's tempo. The album cover was painted by Abdul Mati Klarwein. (Full article...)
    Image 3
    Laid Back is the debut solo studio album by American singer-songwriter Gregg Allman, released in October 1973 by Capricorn Records. Allman, best known as the vocalist/lyricist/organist of the Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongside Johnny Sandlin. Laid Back was largely recorded in March 1973 at Capricorn Sound Studios in Macon, Georgia, with additional recording and mixing taking place at the Record Plant by Manhattan Recording Engineer, Jim Reeves in New York City.

    The album explores Allman's varying influences, including rhythm and blues and soul music. It consists of several cover songs, originals, and a traditional hymn, and contains performances from a host of musicians, most notably Scott Boyer and Tommy Talton on guitars, Chuck Leavell on piano, Charlie Hayward on bass guitar, and Bill Stewart on drums. The album was created while Allman also worked on Brothers and Sisters, the fourth Allman Brothers album. The album title was a studio term Allman coined for relaxing a song's tempo. The album cover was painted by Abdul Mati Klarwein. (Full article...)
  • Image 4 Diabolus in Musica (Latin for "The Devil in Music") is the eighth studio album by American thrash metal band Slayer, released on June 9, 1998, by American Recordings. Guitarist Jeff Hanneman wrote most of the album's content, which has been described as Slayer's most experimental. It was the band's first album to be played mostly in C♯ tuning, and named after a musical interval known for its dissonance. Lyrical themes explored on the album include religion, sex, cultural deviance, death, insanity, war, and homicide. Despite receiving mixed reviews from critics, Diabolus in Musica peaked at number 31 on the Billboard 200, selling over 46,000 copies in its first week of sales. By 2009, it had sold over 306,000 copies in the United States. (Full article...)
    Image 4
    Diabolus in Musica (Latin for "The Devil in Music") is the eighth studio album by American thrash metal band Slayer, released on June 9, 1998, by American Recordings. Guitarist Jeff Hanneman wrote most of the album's content, which has been described as Slayer's most experimental. It was the band's first album to be played mostly in C♯ tuning, and named after a musical interval known for its dissonance. Lyrical themes explored on the album include religion, sex, cultural deviance, death, insanity, war, and homicide.

    Despite receiving mixed reviews from critics, Diabolus in Musica peaked at number 31 on the Billboard 200, selling over 46,000 copies in its first week of sales. By 2009, it had sold over 306,000 copies in the United States. (Full article...)
  • Image 5 Janet Jackson's Rhythm Nation 1814 (also simply known as Rhythm Nation 1814 or Rhythm Nation) is the fourth studio album by American singer Janet Jackson, first released on September 18, 1989 in the United Kingdom, then one day later in North America by A&M Records. Although label executives wanted material resembling her previous album, Control (1986), Jackson insisted on creating a concept album addressing social issues. Collaborating with songwriters and record producers Jimmy Jam and Terry Lewis, she drew inspiration from various tragedies reported through news media, exploring racism, poverty, and substance abuse, alongside themes of romance. Although its central concept of a sociopolitical utopia received mixed reactions, its composition was critically acclaimed. Jackson became considered a role model for youth because of her socially conscious lyrics. As with Control, recording of Rhythm Nation 1814 took place at Lewis and Jam's Flyte Tyme Studios in Minneapolis, Minnesota, where they worked in seclusion with Jackson to complete the album. Noted for its use of sampling and its use of heavily swung synthesized percussion throughout its production, the record encompasses a variety of musical styles, such as new jack swing, hard rock, pop, dance, and industrial music. Songs range from mechanized dance rhythms to soft ballads, giving it appeal across multiple radio formats. It is the only album in the history of the US Billboard Hot 100 singles chart to have seven commercial singles peak in the top five positions. It is also the first album to produce number-one hits on the chart in three separate calendar years, beginning with "Miss You Much" in 1989, "Escapade" and "Black Cat" in 1990, and culminating with "Love Will Never Do (Without You)" in 1991. (Full article...)
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    Janet Jackson's Rhythm Nation 1814 (also simply known as Rhythm Nation 1814 or Rhythm Nation) is the fourth studio album by American singer Janet Jackson, first released on September 18, 1989 in the United Kingdom, then one day later in North America by A&M Records. Although label executives wanted material resembling her previous album, Control (1986), Jackson insisted on creating a concept album addressing social issues. Collaborating with songwriters and record producers Jimmy Jam and Terry Lewis, she drew inspiration from various tragedies reported through news media, exploring racism, poverty, and substance abuse, alongside themes of romance. Although its central concept of a sociopolitical utopia received mixed reactions, its composition was critically acclaimed. Jackson became considered a role model for youth because of her socially conscious lyrics.

    As with Control, recording of Rhythm Nation 1814 took place at Lewis and Jam's Flyte Tyme Studios in Minneapolis, Minnesota, where they worked in seclusion with Jackson to complete the album. Noted for its use of sampling and its use of heavily swung synthesized percussion throughout its production, the record encompasses a variety of musical styles, such as new jack swing, hard rock, pop, dance, and industrial music. Songs range from mechanized dance rhythms to soft ballads, giving it appeal across multiple radio formats. It is the only album in the history of the US Billboard Hot 100 singles chart to have seven commercial singles peak in the top five positions. It is also the first album to produce number-one hits on the chart in three separate calendar years, beginning with "Miss You Much" in 1989, "Escapade" and "Black Cat" in 1990, and culminating with "Love Will Never Do (Without You)" in 1991. (Full article...)
  • Image 6 Yield is the fifth studio album by American rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was hailed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort, as opposed to relying on frontman Eddie Vedder to compose the song lyrics as on the first four studio albums. Yield received positive reviews and debuted at number two on the Billboard 200. While like No Code, the album soon began falling in the charts, Yield eventually outsold its predecessor. The band did more promotion for the album compared to No Code, including a return to full-scale touring and the release of a music video for the song "Do the Evolution". The record has been certified platinum by the RIAA in the United States. The album is Pearl Jam's last release with drummer Jack Irons, who left the band during the album's promotional tour. He was replaced by Soundgarden drummer Matt Cameron. (Full article...)
    Image 6
    Yield is the fifth studio album by American rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was hailed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort, as opposed to relying on frontman Eddie Vedder to compose the song lyrics as on the first four studio albums.

    Yield received positive reviews and debuted at number two on the Billboard 200. While like No Code, the album soon began falling in the charts, Yield eventually outsold its predecessor. The band did more promotion for the album compared to No Code, including a return to full-scale touring and the release of a music video for the song "Do the Evolution". The record has been certified platinum by the RIAA in the United States. The album is Pearl Jam's last release with drummer Jack Irons, who left the band during the album's promotional tour. He was replaced by Soundgarden drummer Matt Cameron. (Full article...)
  • Image 7 Where You Want to Be is the second studio album by American rock band Taking Back Sunday, released July 27, 2004 by Victory Records. The title comes from a line in the opening track, "Set Phasers to Stun." Dismissive of several early songs, they wanted to "grow musically with this [new album]." In March 2004 recording of the album began, with Lou Giordano as producer. The band recorded at Mission Sound in Brooklyn, New York for two weeks before moving to Water Music in Hoboken, New Jersey, finishing recording by April. While touring to promote Tell All Your Friends (2002), guitarist John Nolan and bassist Shaun Cooper left the group and were replaced by Fred Mascherino and Matt Rubano, respectively. The first single from Where You Want to Be was "A Decade Under the Influence," which was released to radio in late June 2004. After an appearance at the Reading Festival in England, the group toured Europe and began a U.S. fall tour. They worked with Blink-182 member Tom DeLonge to create a music video, "This Photograph Is Proof (I Know You Know)," which was filmed in 48 hours. The band went on a winter tour with Atreyu and Funeral for a Friend, and "This Photograph Is Proof (I Know You Know)" was released to radio in early January 2005. Taking Back Sunday then began a co-headlining tour with Jimmy Eat World. (Full article...)
    Image 7
    Where You Want to Be is the second studio album by American rock band Taking Back Sunday, released July 27, 2004 by Victory Records. The title comes from a line in the opening track, "Set Phasers to Stun." Dismissive of several early songs, they wanted to "grow musically with this [new album]." In March 2004 recording of the album began, with Lou Giordano as producer. The band recorded at Mission Sound in Brooklyn, New York for two weeks before moving to Water Music in Hoboken, New Jersey, finishing recording by April. While touring to promote Tell All Your Friends (2002), guitarist John Nolan and bassist Shaun Cooper left the group and were replaced by Fred Mascherino and Matt Rubano, respectively.

    The first single from Where You Want to Be was "A Decade Under the Influence," which was released to radio in late June 2004. After an appearance at the Reading Festival in England, the group toured Europe and began a U.S. fall tour. They worked with Blink-182 member Tom DeLonge to create a music video, "This Photograph Is Proof (I Know You Know)," which was filmed in 48 hours. The band went on a winter tour with Atreyu and Funeral for a Friend, and "This Photograph Is Proof (I Know You Know)" was released to radio in early January 2005. Taking Back Sunday then began a co-headlining tour with Jimmy Eat World. (Full article...)
  • Image 8 Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul". Recording sessions began at Sigma Sound Studios in Philadelphia in August 1974, after the first leg of Bowie's Diamond Dogs Tour. The record was produced by Tony Visconti, and includes a variety of musicians, such as the guitarist Carlos Alomar, who became one of Bowie's most frequent collaborators, and the backing vocalists Ava Cherry, Robin Clark and then-unknown singer Luther Vandross. As the tour continued the setlist and design began to incorporate the influence of the new material. The recording sessions continued at the Record Plant in New York City at the tour's end. A collaboration between Bowie and John Lennon yielded a cover of Lennon's Beatles song "Across the Universe" and an original, "Fame", during a January 1975 session at Electric Lady Studios, produced by Harry Maslin. The album's cover artwork is a back-lit photograph of Bowie taken by Eric Stephen Jacobs. (Full article...)
    Image 8
    Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic soul".

    Recording sessions began at Sigma Sound Studios in Philadelphia in August 1974, after the first leg of Bowie's Diamond Dogs Tour. The record was produced by Tony Visconti, and includes a variety of musicians, such as the guitarist Carlos Alomar, who became one of Bowie's most frequent collaborators, and the backing vocalists Ava Cherry, Robin Clark and then-unknown singer Luther Vandross. As the tour continued the setlist and design began to incorporate the influence of the new material. The recording sessions continued at the Record Plant in New York City at the tour's end. A collaboration between Bowie and John Lennon yielded a cover of Lennon's Beatles song "Across the Universe" and an original, "Fame", during a January 1975 session at Electric Lady Studios, produced by Harry Maslin. The album's cover artwork is a back-lit photograph of Bowie taken by Eric Stephen Jacobs. (Full article...)
  • Image 9 (What's the Story) Morning Glory? is the second studio album by the English rock band Oasis. Released on 2 October 1995 by Creation Records, it was produced by Owen Morris and the group's lead guitarist and chief songwriter Noel Gallagher. The structure and arrangement style of the album was a significant departure from the band's previous album, Definitely Maybe (1994). Gallagher's compositions were more focused in balladry and placed more emphasis on "huge" choruses and string arrangements. Morning Glory was the group's first album with drummer Alan White, who replaced Tony McCarroll (though McCarroll still appeared on the album, drumming on the track "Some Might Say"). The album propelled Oasis from being a crossover indie act to a worldwide rock phenomenon, and is seen by critics as a significant record in the timeline of British indie music. Morning Glory sold a record-breaking 345,000 copies in its first week in the UK before going on to spend 10 weeks at number one on the UK Albums Chart. It was also the band's breakthrough in the United States, reaching number four on the US Billboard 200 and being certified 4× platinum by the Recording Industry Association of America (RIAA). The album yielded four major hit singles in the band's native Britain: "Some Might Say" and "Don't Look Back in Anger" reached number one, and "Roll with It" and "Wonderwall" peaked at number two; the latter has emerged as the band's biggest-selling UK hit, spending 30 consecutive weeks on the chart. "Champagne Supernova" and "Wonderwall" reached number one on the Billboard Alternative Songs chart. At the 1996 Brit Awards, the album won Best British Album. Over several months in 1995 and 1996, the band supported the album with an extensive world tour, which saw them play to among the largest audiences ever at the time. (Full article...)
    Image 9
    (What's the Story) Morning Glory? is the second studio album by the English rock band Oasis. Released on 2 October 1995 by Creation Records, it was produced by Owen Morris and the group's lead guitarist and chief songwriter Noel Gallagher. The structure and arrangement style of the album was a significant departure from the band's previous album, Definitely Maybe (1994). Gallagher's compositions were more focused in balladry and placed more emphasis on "huge" choruses and string arrangements. Morning Glory was the group's first album with drummer Alan White, who replaced Tony McCarroll (though McCarroll still appeared on the album, drumming on the track "Some Might Say").

    The album propelled Oasis from being a crossover indie act to a worldwide rock phenomenon, and is seen by critics as a significant record in the timeline of British indie music. Morning Glory sold a record-breaking 345,000 copies in its first week in the UK before going on to spend 10 weeks at number one on the UK Albums Chart. It was also the band's breakthrough in the United States, reaching number four on the US Billboard 200 and being certified 4× platinum by the Recording Industry Association of America (RIAA). The album yielded four major hit singles in the band's native Britain: "Some Might Say" and "Don't Look Back in Anger" reached number one, and "Roll with It" and "Wonderwall" peaked at number two; the latter has emerged as the band's biggest-selling UK hit, spending 30 consecutive weeks on the chart. "Champagne Supernova" and "Wonderwall" reached number one on the Billboard Alternative Songs chart. At the 1996 Brit Awards, the album won Best British Album. Over several months in 1995 and 1996, the band supported the album with an extensive world tour, which saw them play to among the largest audiences ever at the time. (Full article...)
  • Image 10 Nothing Personal is the third studio album by American rock band All Time Low. As early as May 2008, the band began writing for their third album, and by November revealed they would be recording in the winter. The band began pre-production in early January 2009 and started recording later in the month, which lasted until March. Half of the album's songs were produced by Matt Squire with Butch Walker, David Bendeth and S*A*M and Sluggo each producing a few songs. Tom Lord-Alge mixed the majority of the album. "Weightless" was made available for streaming in March, and released as a single in April. A support slot for Fall Out Boy and an appearance at the Bamboozle festival followed. The band went on an Australian tour in June, which was followed by a music video for "Weightless" in July. Nothing Personal was released through Hopeless Records on July 7. On the same day, the band performed shows in three different cities in a 24-hour span. They then went on a US tour before performing on the main stage at the Warped Tour in July and August, followed by appearances at the Reading and Leeds Festivals. In September, a music video was released for "Damned If I Do Ya (Damned If I Don't)", and the track was released as a single. Between October and February 2010, the group went on tours of the US, UK and Australia. "Lost in Stereo" was released as a single in April; a music video followed in late August. (Full article...)
    Image 10
    Nothing Personal is the third studio album by American rock band All Time Low. As early as May 2008, the band began writing for their third album, and by November revealed they would be recording in the winter. The band began pre-production in early January 2009 and started recording later in the month, which lasted until March. Half of the album's songs were produced by Matt Squire with Butch Walker, David Bendeth and S*A*M and Sluggo each producing a few songs. Tom Lord-Alge mixed the majority of the album. "Weightless" was made available for streaming in March, and released as a single in April. A support slot for Fall Out Boy and an appearance at the Bamboozle festival followed.

    The band went on an Australian tour in June, which was followed by a music video for "Weightless" in July. Nothing Personal was released through Hopeless Records on July 7. On the same day, the band performed shows in three different cities in a 24-hour span. They then went on a US tour before performing on the main stage at the Warped Tour in July and August, followed by appearances at the Reading and Leeds Festivals. In September, a music video was released for "Damned If I Do Ya (Damned If I Don't)", and the track was released as a single. Between October and February 2010, the group went on tours of the US, UK and Australia. "Lost in Stereo" was released as a single in April; a music video followed in late August. (Full article...)
  • Image 11 The Mother series is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother, which was followed up by Mother 2, released as EarthBound outside Japan, for the Super NES in 1994. A second sequel was released in Japan only, Mother 3, for the Game Boy Advance in 2006. The music of the Mother series includes the soundtracks to all three games; the first game was composed by Keiichi Suzuki and Hirokazu Tanaka, who were joined by Hiroshi Kanazu for the second game, while Mother 3's score was written by Shogo Sakai.The music has inspired several album releases. Mother saw the release in 1989 of an album primarily composed of vocal arrangements of pieces from its soundtrack; this album was re-released in 2004 in an expanded form. EarthBound had a soundtrack album associated with the game released in 1994 and again in 2004 that contained both original tracks from the game and medleys of multiple tracks. A compilation release, Mother 1+2, received a soundtrack album release in 2003, as well as an album of MIDI piano versions of songs from the two games in 2006. The latest release in the series, Mother 3, has two soundtrack albums: Mother 3+, released in 2006, and the online-only release Mother 3i in 2007. The games' soundtracks have received primarily positive reviews, and the music itself has gone on to some popularity. Multiple piano sheet music books of pieces from the series have been produced, and the "Eight Melodies" song originally featured in Mother has been included in some Japanese music textbooks. Music from the series has been used in the Super Smash Bros. series of fighting games, has been played in orchestral game music concerts, and been remixed for websites such as OverClocked Remix. (Full article...)
    Image 11
    The Mother series is a role-playing video game series created by Shigesato Itoi for Nintendo. The series started in 1989 with the Japan-only release of Mother, which was followed up by Mother 2, released as EarthBound outside Japan, for the Super NES in 1994. A second sequel was released in Japan only, Mother 3, for the Game Boy Advance in 2006. The music of the Mother series includes the soundtracks to all three games; the first game was composed by Keiichi Suzuki and Hirokazu Tanaka, who were joined by Hiroshi Kanazu for the second game, while Mother 3's score was written by Shogo Sakai.The music has inspired several album releases. Mother saw the release in 1989 of an album primarily composed of vocal arrangements of pieces from its soundtrack; this album was re-released in 2004 in an expanded form. EarthBound had a soundtrack album associated with the game released in 1994 and again in 2004 that contained both original tracks from the game and medleys of multiple tracks. A compilation release, Mother 1+2, received a soundtrack album release in 2003, as well as an album of MIDI piano versions of songs from the two games in 2006. The latest release in the series, Mother 3, has two soundtrack albums: Mother 3+, released in 2006, and the online-only release Mother 3i in 2007.

    The games' soundtracks have received primarily positive reviews, and the music itself has gone on to some popularity. Multiple piano sheet music books of pieces from the series have been produced, and the "Eight Melodies" song originally featured in Mother has been included in some Japanese music textbooks. Music from the series has been used in the Super Smash Bros. series of fighting games, has been played in orchestral game music concerts, and been remixed for websites such as OverClocked Remix. (Full article...)
  • Image 12 Glee: The Music, Journey to Regionals is the second extended play (EP) by the cast of musical television series Glee. Containing six songs from the season one finale "Journey to Regionals", it was released on June 8, 2010, the same day the episode aired. Half of the tracks are cover versions of songs by American rock band Journey. The EP debuted at the top of the US Billboard 200 and Soundtrack charts, with first-week sales of 154,000 copies. Unlike previous Glee releases, no singles were released from this album, but all of its tracks managed to appear on multiple national charts. Songs were generally received favorably, with many enjoying the Journey covers. The setlist of Glee Live! In Concert!, the cast's first concert tour, included three songs from the Glee: The Music, Journey to Regionals. (Full article...)
    Image 12
    Glee: The Music, Journey to Regionals is the second extended play (EP) by the cast of musical television series Glee. Containing six songs from the season one finale "Journey to Regionals", it was released on June 8, 2010, the same day the episode aired. Half of the tracks are cover versions of songs by American rock band Journey. The EP debuted at the top of the US Billboard 200 and Soundtrack charts, with first-week sales of 154,000 copies. Unlike previous Glee releases, no singles were released from this album, but all of its tracks managed to appear on multiple national charts. Songs were generally received favorably, with many enjoying the Journey covers. The setlist of Glee Live! In Concert!, the cast's first concert tour, included three songs from the Glee: The Music, Journey to Regionals. (Full article...)
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  • Image 1 "Vibes Don't Lie" by Leon Thomas is the most recent recipient The Grammy Award for Best Traditional R&B Performance is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally named the Gramophone Awards, to performers of quality traditional R&B vocal performances. The award was first given in 1999; until 2003, only albums were nominated, now just singles or tracks are. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." As of the 67th Annual Grammy Awards, the eligibility criteria for the category was amended to "more accurately represent recordings that embody the classical elements of R&B/soul music, distinguishing them from contemporary interpretations of the genre". Between 1999 and 2002, this accolade was originally known as Best Traditional R&B Vocal Album. It was renamed in 2003 as Best Traditional R&B Vocal Performance. Since 2012, the category has been known as Best Traditional R&B Performance. (Full article...)
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    "Vibes Don't Lie" by Leon Thomas is the most recent recipient

    The Grammy Award for Best Traditional R&B Performance is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally named the Gramophone Awards, to performers of quality traditional R&B vocal performances. The award was first given in 1999; until 2003, only albums were nominated, now just singles or tracks are. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." As of the 67th Annual Grammy Awards, the eligibility criteria for the category was amended to "more accurately represent recordings that embody the classical elements of R&B/soul music, distinguishing them from contemporary interpretations of the genre".

    Between 1999 and 2002, this accolade was originally known as Best Traditional R&B Vocal Album. It was renamed in 2003 as Best Traditional R&B Vocal Performance. Since 2012, the category has been known as Best Traditional R&B Performance. (Full article...)
  • Image 2 Cootie Williams topped the final Harlem Hit Parade chart with "Somebody's Gotta Go". At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African American population and called the "black capital of America". This chart was published for the final time in the issue dated February 10. The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in jukeboxes, although records' peak positions and numbers of weeks on chart were carried over; "race records" was a term then in common usage for recordings by black artists. The two charts are considered part of the lineage of the magazine's multimetric R&B chart, which since 2005 has been published under the title Hot R&B/Hip Hop Songs. In the issue of Billboard dated January 6, the Ink Spots and Ella Fitzgerald topped the Harlem Hit Parade with "Into Each Life Some Rain Must Fall", retaining the top spot from the previous week. The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "Somebody's Gotta Go" by Cootie Williams and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. The following week, Pvt. Cecil Gant topped the first Most Played Juke Box Race Records listing with "I Wonder". Gant spent two weeks at number one before being displaced by Roosevelt Sykes with his recording of the same song. Both versions would be the only number one for their respective artists. (Full article...)
    Image 2
    Musician Cootie Williams
    Cootie Williams topped the final Harlem Hit Parade chart with "Somebody's Gotta Go".

    At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African American population and called the "black capital of America". This chart was published for the final time in the issue dated February 10. The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in jukeboxes, although records' peak positions and numbers of weeks on chart were carried over; "race records" was a term then in common usage for recordings by black artists. The two charts are considered part of the lineage of the magazine's multimetric R&B chart, which since 2005 has been published under the title Hot R&B/Hip Hop Songs.

    In the issue of Billboard dated January 6, the Ink Spots and Ella Fitzgerald topped the Harlem Hit Parade with "Into Each Life Some Rain Must Fall", retaining the top spot from the previous week. The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "Somebody's Gotta Go" by Cootie Williams and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. The following week, Pvt. Cecil Gant topped the first Most Played Juke Box Race Records listing with "I Wonder". Gant spent two weeks at number one before being displaced by Roosevelt Sykes with his recording of the same song. Both versions would be the only number one for their respective artists. (Full article...)
  • Image 3 Husband and wife duo Thompson Square topped the chart for the first time. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2011, 34 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. In the issue dated January 1, Reba McEntire (credited for this release simply as Reba), moved to number one with "Turn On the Radio", replacing "Why Wait" by Rascal Flatts, which had held the top spot since the issue of Billboard dated December 18, 2010. It was the 25th number-one country single of McEntire's career, tying the record for the highest number of chart-toppers by a female artist held by Dolly Parton. Blake Shelton spent the most weeks in the top spot in 2011, with eight, and his song "Honey Bee" had the longest run at the top by an individual song, spending four weeks in the top spot. Shelton was one of two acts to reach the top spot with three different songs, the other being Zac Brown Band. Jason Aldean, Kenny Chesney, Lady Antebellum, Brad Paisley and Chris Young each had two number ones. Paisley's two chart-toppers were both collaborations, one with Carrie Underwood and one with the band Alabama. Their appearance on the song "Old Alabama" gave the namesake band their first number one for 18 years. Sara Evans gained her first number one single since 2005 with "A Little Bit Stronger", and was the only female solo artist to have a multi-week number one single during the year. (Full article...)
    Image 3
    A woman with long blonde hair, wearing a purple dress, singing into a microphone, and a man wearing a cap singing and playing a guitar
    Husband and wife duo Thompson Square topped the chart for the first time.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2011, 34 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    In the issue dated January 1, Reba McEntire (credited for this release simply as Reba), moved to number one with "Turn On the Radio", replacing "Why Wait" by Rascal Flatts, which had held the top spot since the issue of Billboard dated December 18, 2010. It was the 25th number-one country single of McEntire's career, tying the record for the highest number of chart-toppers by a female artist held by Dolly Parton. Blake Shelton spent the most weeks in the top spot in 2011, with eight, and his song "Honey Bee" had the longest run at the top by an individual song, spending four weeks in the top spot. Shelton was one of two acts to reach the top spot with three different songs, the other being Zac Brown Band. Jason Aldean, Kenny Chesney, Lady Antebellum, Brad Paisley and Chris Young each had two number ones. Paisley's two chart-toppers were both collaborations, one with Carrie Underwood and one with the band Alabama. Their appearance on the song "Old Alabama" gave the namesake band their first number one for 18 years. Sara Evans gained her first number one single since 2005 with "A Little Bit Stronger", and was the only female solo artist to have a multi-week number one single during the year. (Full article...)
  • Image 4 Billie Holiday was the featured vocalist on Paul Whiteman's chart-topper "Trav'lin' Light"; she was credited under the moniker "Lady Day". In 1942, Billboard magazine launched a chart ranking the "most popular records in Harlem" titled the Harlem Hit Parade and based on a survey of record stores primarily in the Harlem district of New York City. The area has historically been noted for its African American population and has been called the "black capital of America". The chart is considered to be the start of the lineage of the magazine's R&B chart, which has undergone various name changes over the subsequent decades to reflect the evolution of African American-oriented musical genres. Since 2005 it has been published under the title Hot R&B/Hip Hop Songs. The chart was first published in the issue of Billboard dated October 24, 1942 and six songs reached number one in the remainder of the year. Most of 1942's number ones were in the jazz and swing genres, which were among the most popular styles of music in the early 1940s. The first chart-topper was "Take It and Git" by tuba player and bandleader Andy Kirk and his band the Twelve Clouds of Joy, which occupied the top spot for a single week. It would prove to be the only chart-topper for Kirk, who remained successful until the end of the 1940s but then broke up his band and largely left the music industry. (Full article...)
    Image 4
    Singer Billie Holiday
    Billie Holiday was the featured vocalist on Paul Whiteman's chart-topper "Trav'lin' Light"; she was credited under the moniker "Lady Day".

    In 1942, Billboard magazine launched a chart ranking the "most popular records in Harlem" titled the Harlem Hit Parade and based on a survey of record stores primarily in the Harlem district of New York City. The area has historically been noted for its African American population and has been called the "black capital of America". The chart is considered to be the start of the lineage of the magazine's R&B chart, which has undergone various name changes over the subsequent decades to reflect the evolution of African American-oriented musical genres. Since 2005 it has been published under the title Hot R&B/Hip Hop Songs. The chart was first published in the issue of Billboard dated October 24, 1942 and six songs reached number one in the remainder of the year.

    Most of 1942's number ones were in the jazz and swing genres, which were among the most popular styles of music in the early 1940s. The first chart-topper was "Take It and Git" by tuba player and bandleader Andy Kirk and his band the Twelve Clouds of Joy, which occupied the top spot for a single week. It would prove to be the only chart-topper for Kirk, who remained successful until the end of the 1940s but then broke up his band and largely left the music industry. (Full article...)
  • Image 5 Thomas Rhett topped both charts throughout the month of January. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2016, nine different songs topped the Hot Country Songs chart and 40 different songs topped Country Airplay in 52 issues of the magazine. In the first issue of Billboard of the new year, Thomas Rhett was at number one on both charts with "Die a Happy Man". On Hot Country Songs, the song would continue to hold the top spot through the issue of Billboard dated March 19, finishing with a total of 17 weeks at number one. The song spent six consecutive weeks atop Country Airplay, twice as long as any other song in 2016. Additionally, it was the longest run at number one on Billboard's airplay-based country chart since 2008. The longest run at number one on the Hot Country Songs during the year was 18 weeks, achieved by the song "H.O.L.Y." by Florida Georgia Line. This figure was also the highest total number of weeks spent in the top spot by any act, as no act achieved more than one chart-topper during the year. On the airplay listing, ten acts reached the top spot with more than one song; Luke Bryan and Florida Georgia Line each achieved three number ones during the year. Rhett's total of seven weeks at number one was the highest for any act. (Full article...)
    Image 5
    A bearded young man smiling broadly and playing a guitar
    Thomas Rhett topped both charts throughout the month of January.

    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2016, nine different songs topped the Hot Country Songs chart and 40 different songs topped Country Airplay in 52 issues of the magazine.

    In the first issue of Billboard of the new year, Thomas Rhett was at number one on both charts with "Die a Happy Man". On Hot Country Songs, the song would continue to hold the top spot through the issue of Billboard dated March 19, finishing with a total of 17 weeks at number one. The song spent six consecutive weeks atop Country Airplay, twice as long as any other song in 2016. Additionally, it was the longest run at number one on Billboard's airplay-based country chart since 2008. The longest run at number one on the Hot Country Songs during the year was 18 weeks, achieved by the song "H.O.L.Y." by Florida Georgia Line. This figure was also the highest total number of weeks spent in the top spot by any act, as no act achieved more than one chart-topper during the year. On the airplay listing, ten acts reached the top spot with more than one song; Luke Bryan and Florida Georgia Line each achieved three number ones during the year. Rhett's total of seven weeks at number one was the highest for any act. (Full article...)
  • Image 6 The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
    Image 6
    The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

    The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
  • Image 7 Kylie Minogue's "XMAS" was the 2025 Christmas number one. In the United Kingdom, Christmas number ones are singles that top the UK singles chart in the week preceding or during Christmas Day. They have often been novelty songs, charity songs or songs with a Christmas theme. Historically, the volume of record sales in the UK has peaked at Christmas. Christmas number-one singles have often been the best-selling song of the year. During the 21st century many Christmas chart-toppers have been either by reality television contestants or charity singles. The Christmas number one is announced by BBC Radio 1 on the Friday before Christmas. The most recent Christmas number-one single is "XMAS" by Kylie Minogue. (Full article...)
    Image 7
    Kylie Minogue's "XMAS" was the 2025 Christmas number one.

    In the United Kingdom, Christmas number ones are singles that top the UK singles chart in the week preceding or during Christmas Day. They have often been novelty songs, charity songs or songs with a Christmas theme. Historically, the volume of record sales in the UK has peaked at Christmas.

    Christmas number-one singles have often been the best-selling song of the year. During the 21st century many Christmas chart-toppers have been either by reality television contestants or charity singles. The Christmas number one is announced by BBC Radio 1 on the Friday before Christmas. The most recent Christmas number-one single is "XMAS" by Kylie Minogue. (Full article...)
  • Image 8 Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year. The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
    Image 8
    Reba McEntire
    Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year.

    The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
  • Image 9 Drake currently holds the record for the most number-one hits on the Billboard rap chart. Hot Rap Songs is a record chart published by the music industry magazine Billboard that ranks the most popular hip hop songs in the United States. 77 songs topped Hot Rap Songs in the 2010s. The first number-one song of the decade was "Empire State of Mind" by Jay-Z featuring Alicia Keys. In 2012, Drake broke the record for the most Hot Rap Songs number-one songs, previously held by Diddy. During the 2010s, Drake spent the most weeks at number one and attained the most number-one songs on Hot Rap Songs, with 19 chart-toppers spanning 118 weeks. In 2019, "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus spent a record-breaking 20 weeks atop Hot Rap Songs. The final number-one song of the decade on the chart was "Roxanne" by Arizona Zervas. At the start of the decade the chart was airplay-based, with rankings based on each track's estimated audience as monitored by Nielsen Broadcast Data Systems from a panel of 134 radio stations. In October 2012, Billboard altered the chart's methodology to include digital download sales and streaming data. Under the new methodology, the Rap Songs chart became a distillation of the main Billboard Hot R&B/Hip-Hop Songs chart, which according to the magazine "highlight[s] the differences between pure R&B and rap titles in the overall, wide-ranging R&B/hip-hop field." "Gangnam Style" by Psy was the first number-one song to benefit from these changes, ascending from number 20 to the top spot on the chart dated October 20, 2012. (Full article...)
    Image 9
    An illuminated man wearing a black T-shirt raps into a microphone.
    Drake currently holds the record for the most number-one hits on the Billboard rap chart.

    Hot Rap Songs is a record chart published by the music industry magazine Billboard that ranks the most popular hip hop songs in the United States. 77 songs topped Hot Rap Songs in the 2010s. The first number-one song of the decade was "Empire State of Mind" by Jay-Z featuring Alicia Keys. In 2012, Drake broke the record for the most Hot Rap Songs number-one songs, previously held by Diddy. During the 2010s, Drake spent the most weeks at number one and attained the most number-one songs on Hot Rap Songs, with 19 chart-toppers spanning 118 weeks. In 2019, "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus spent a record-breaking 20 weeks atop Hot Rap Songs. The final number-one song of the decade on the chart was "Roxanne" by Arizona Zervas.

    At the start of the decade the chart was airplay-based, with rankings based on each track's estimated audience as monitored by Nielsen Broadcast Data Systems from a panel of 134 radio stations. In October 2012, Billboard altered the chart's methodology to include digital download sales and streaming data. Under the new methodology, the Rap Songs chart became a distillation of the main Billboard Hot R&B/Hip-Hop Songs chart, which according to the magazine "highlight[s] the differences between pure R&B and rap titles in the overall, wide-ranging R&B/hip-hop field." "Gangnam Style" by Psy was the first number-one song to benefit from these changes, ascending from number 20 to the top spot on the chart dated October 20, 2012. (Full article...)
  • Image 10 Craig Morgan's song "That's What I Love About Sunday" was named the number-one country song of 2005 by Billboard. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2005, twenty different songs topped the chart, published under the title Hot Country Singles & Tracks through the April 23 issue, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan. Singer Blake Shelton's song "Some Beach" was at number one at the start of the year, having risen to the top in the issue of Billboard dated December 25, 2004. The song remained at number one for three further weeks until it was replaced at the top by "Awful, Beautiful Life" by Darryl Worley in the issue dated January 22. Australian singer Keith Urban spent the most weeks at number one in 2005, with eleven, comprising five weeks with "Making Memories of Us" and six with "Better Life", the latter of which tied for the most weeks at number one by a single song with "As Good as I Once Was" by Toby Keith. Two other acts reached the top of the chart with more than one song in 2005. Brooks & Dunn topped the chart with "It's Getting Better All the Time" in May and "Play Something Country" in September, although each only spent one week at number one. Rascal Flatts, in contrast, spent eight weeks in total at number one with their two chart-toppers, "Bless the Broken Road" and "Fast Cars and Freedom". (Full article...)
    Image 10
    A dark-haired man playing a guitar and singing into a microphone in front of the American flag
    Craig Morgan's song "That's What I Love About Sunday" was named the number-one country song of 2005 by Billboard.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2005, twenty different songs topped the chart, published under the title Hot Country Singles & Tracks through the April 23 issue, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan.

    Singer Blake Shelton's song "Some Beach" was at number one at the start of the year, having risen to the top in the issue of Billboard dated December 25, 2004. The song remained at number one for three further weeks until it was replaced at the top by "Awful, Beautiful Life" by Darryl Worley in the issue dated January 22. Australian singer Keith Urban spent the most weeks at number one in 2005, with eleven, comprising five weeks with "Making Memories of Us" and six with "Better Life", the latter of which tied for the most weeks at number one by a single song with "As Good as I Once Was" by Toby Keith. Two other acts reached the top of the chart with more than one song in 2005. Brooks & Dunn topped the chart with "It's Getting Better All the Time" in May and "Play Something Country" in September, although each only spent one week at number one. Rascal Flatts, in contrast, spent eight weeks in total at number one with their two chart-toppers, "Bless the Broken Road" and "Fast Cars and Freedom". (Full article...)
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