‘Little House on the Prairie’ Showrunner on the Spirit of the Netflix Adaptation and Its Parallels With ‘The Boys’: “America Is a Myth-Maker”
With Laura Ingalls Wilder's tale of survival on the American frontier continuing to resonate — and spur debates — with audiences over the years, Rebecca Sonnenshine is ready to offer her take on the classic and details her series rollout plan: "We're gonna go book by book."
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‘Off Campus’ Oral History: How the Book’s “Cornerstone” Sex Scene Became a Benchmark Episode on Consent and Intimacy
Key creatives behind the Prime Video series’ fourth episode, including co-showrunners Louisa Levy and Gina Fattore, along with independent rape awareness advocates, go behind and break down the game-changing storyline.
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‘The Princess Diaries’ Revisited: Author Meg Cabot on New Graphic Novel and “Amazing” ‘Princess Diaries 3’ Script
In an interview with The Hollywood Reporter, the best-selling author also reflects on writing that first book, its 2001 film adaptation, her feelings on AI, and trends in the romance and YA spaces.
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How Craig Mazin Adapted the Unadaptable With Animal-Led Whodunnit ‘The Sheep Detectives’
The screenwriter discusses the "meta exercise" of adapting Leonie Swann’s 'Three Bags Full' and balancing Agatha Christie-style tropes with the unexpected emotional depth of a sheep-led whodunnit.
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How Netflix’s ‘Little House on the Prairie’ Brings Its Pioneering Black Doctor to the Screen (Exclusive)
In this first-look, star Jocko Sims, showrunner Rebecca Sonnenshine and costume designer Mitchell Travers reveal how they used Laura Ingalls Wilder’s 1935 novel, history and some creative liberty to tell the story of Dr. George Tann, the eclectic physician who saved the Ingalls lives.
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Why ‘Every Year After’ Flipped the Script on the Best-Seller’s Divisive Secret
Showrunner Amy B. Harris, actor Michael Bradway and ‘Every Summer After’ author Carley Fortune break down why the Prime Video series changed the reveal of Percy and Charlie's secret — and what it means for the characters' future.
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